9/17/2020 0 Comments Best Pro Tools Plugins
If Im mixing a vocal that I cant keep from hanging around in the background, the Oxford Inflator brings it forward nearly instantly.Today, I decided to cut through the crap and give you my recommendations.
With a lot of digital EQs, boosting the low mids really muddies up your vocal. But the Hoser XT shines here, adding some of that smooth analog low end character. You can really push your boosts and cuts farther before it begins to sound overdone. Where I might boost a certain frequency by two or three dBs on another EQ, I can easily boost it four or five on the A-Range. And its a well-deserved honor this equalizer is maybe the most versatile and clean on the market. You can create up to 24 bands, use their different slopes to sculpt a seemly-impossible EQ curve, and retain amazing sound quality the entire time. If your vocal sounds like its living under a blanket, Revival is for you. The designers at Fabfilter have made one of the cleanest and most versatile digital compressors on the market. These three compressors are some of the most commonly used of all time. Best Pro Tools Plugins Pro Record TheyName any pro record they probably used one of these compressors. That consoles bus compressor (nicknamed The Glue) has become legendary for sonically gluing tracks together. Its also commonly used on the entire mix to tighten the whole song up. It does exactly what youre looking for levels out your vocals while giving a little extra character to-boot. Plus, it has a solo button so that you can listen to ONLY the things being compressed. They have several different algorithms to target voiceovers, guitar string squeaks, cymbals, and even mastering. The Saturn is also great for adding more presence to your vocals. It has a multiband feature that allows you to only saturate the upper mids of a sound, leaving the rest untouched. Adding excitement, warmth and character is possible in just a few knob turns. Sometimes its the perfect tool for the job, but not in every mix. The point of its saturation isnt to be audible, but rather to increase the perceived loudness of an instrument without increasing the actual volume.
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